From the recording THE MARIONETTE: This & That from Hither & Yon
A few years ago, I watched my way through part of a Zach Galifianakis series called Baskets. It is a beautifully acted and produced character piece centered around a failed clown named Baskets (Galifianakis). His life is one failure after another. He had just flunked out of clown college in France. His family is a collective failure. Even his somewhat successful brother is a failure as a human being. In the last scene of the final episode I watched, he finally just hopped on a moving boxcar and left everything behind. It was the first time I felt any sense of relief for that character, and it was the trigger point for this song. That moment moved me rather profoundly and it was the image I had in my head when I wrote the opening lines of the song. It’s hard to explain without sounding like self-pity, but very often, as a songwriter, I feel less like a creator and more like a pawn, or a puppet. I rarely feel in control of much, if any, of the creative process. It’s almost like something I have unwittingly agreed to endure for the sake of a song. There is a rather odd and humbling sensation that everything I have written was dictated in gibberish, and I am, at best, just a good listener or translator, tasked with taking notes. This, compounded by ubiquitous self-doubt nurtures a pervasive sense of despair, fearing no one will truly listen anyway; that it is all for naught and mere self-indulgence. So, this business of deciphering and processing such chatter is rather lonely work. I do the lion’s share of my writing late at night, or very early in the morning before the world starts moving and drowns out the voices I am so dependent upon. Songwriting, for me, is very much like putting together a jigsaw puzzle. Except first, I have to create each piece before I can even begin to figure out how they go together, if they even do. There is no photo on the box top, and no guide other than the song itself. An often unwilling mute, only tentatively revealing what it wants to be. Although, it can be very loud and opinionated if I am getting it wrong. It’s exhausting.
Lyrics
I wish that I could disappear
Hop a boxcar out of here
Or crumble into dust
No need for sleep or waking up
Just evaporate in the freedom of a breeze
That’s what I need
‘Cause time has just been martyred here
On foolish dreams and petty fears
From polished steel to rust
A gleaming promise bleeding trust
Misery loves company... just not mine
Better luck next time
Ghosts of those I used to be
Never cease their haunting me
Souls appeased by pulling strings
Relay loves through living things
They animate their marionette
Manipulate their fettered pet
To mouth their words and dance their steps
They never sleep. We rarely rest
Waked to take dictated, metered rhyme
Weave melodies through ordered, chorded time
The illusion’s almost real
Sometimes, I even feel like this is mine
I wish that I could disappear
Hop a boxcar out of here
Or crumble into dust
No need for sleep or waking up
Just evaporate in the freedom of a breeze
That’s what I need
Ghosts of those I used to be
Never cease their taunting me
Souls appeased by pulling strings
Relay loves through living things
They animate their marionette
Manipulate this fettered pet
To mouth their words and dance their steps
They never sleep. We rarely rest
I wish that I could disappear
Elude the doubt and harbored fears
And hide between the lines I’ve scribbled here
Music & Lyrics by David Greathouse
© 2018, Sourdough Music, ASCAP
String arrangement and accordion provided by Thomas Bergstig.
